In the recent years, film music has seen almost an explosion of presence into the programs of many symphony orchestra around the world. The repertoire of great music written for films is nowadays seen as a very strong pole that is able to attract new and wider audiences into the concert halls. The immediacy of the lexicon used by film music, coupled with the fond memories of some great classic movies, is helping to shape a new generation of listeners toward the beauty of symphonic music and classical repertoire. The music of John Williams has played a pivotal role, as it’s been embraced by millions of people around the world and continues to be one of the most beloved to listen to live when people packs concert halls. This happened especially thanks to the strong endorsement and tireless enthusiasm of several conductors who are especially keen toward film music and Williams’ own repertoire. One of these musical heroes is American conductor Richard Kaufman. Continue reading ““Music is music”: Interview with Richard Kaufman”
As it was announced just a couple of days before the show, John Williams had to cancel his appearance at the Royal Albert Hall in London on October 26, 2018 due to a last-minute illness that unfortunately caught him upon his arrival in the UK’s capitol. The composer was set to conduct the London Symphony Orchestra in a long-awaited concert featuring his beloved movie music in a career-spanning program. The event (which sold-out in a few hours after it was announced in February 2018) was tremendously anticipated by fans of John Williams all around the world–the concert would have been his first on the European soil after twenty years (his last concert happened indeed in London in 1998 with the LSO). Admirers from all corners of Europe and even from other continents booked flights, hotels and tickets to not miss the event. The orchestra, the Royal Albert Hall management and the composer himself were also anticipating with thrill what promised to be a once-in-a-lifetime evening. The occasion was all the more special because of the true “special relationship” between Williams and the London Symphony Orchestra and, as producer Mike Matessino wrote on the concert’s program notes, with the London music scene in general, a love affair that goes back since the late 1960s, when Williams ended up living and working in the city for several projects.