How the Maestro explored one of the richest American musical traditions and brought it into the 21st century
Some of the most celebrated and stirring compositions by John Williams, including many written for films, find one of their roots into one of America’s most fruitful and longest musical traditions, namely the music for concert band, also known as symphonic band, or wind orchestra. Continue reading “A New March King”→
As it was announced just a couple of days before the show, John Williams had to cancel his appearance at the Royal Albert Hall in London on October 26, 2018 due to a last-minute illness that unfortunately caught him upon his arrival in the UK’s capitol. The composer was set to conduct the London Symphony Orchestra in a long-awaited concert featuring his beloved movie music in a career-spanning program. The event (which sold-out in a few hours after it was announced in February 2018) was tremendously anticipated by fans of John Williams all around the world–the concert would have been his first on the European soil after twenty years (his last concert happened indeed in London in 1998 with the LSO). Admirers from all corners of Europe and even from other continents booked flights, hotels and tickets to not miss the event. The orchestra, the Royal Albert Hall management and the composer himself were also anticipating with thrill what promised to be a once-in-a-lifetime evening. The occasion was all the more special because of the true “special relationship” between Williams and the London Symphony Orchestra and, as producer Mike Matessino wrote on the concert’s program notes, with the London music scene in general, a love affair that goes back since the late 1960s, when Williams ended up living and working in the city for several projects.
In 2017, John Williams and Steven Spielberg collaborated on their 28th feature film together, The Post. The film recounts the story of the great cover-up that spanned four U.S. Presidents which pushed the first female newspaper publisher (Kathleen Graham) and the chief editor of the Washington Post (Ben Bradlee) to publish classifed top-secret files (known as the “Pentagon Papers”) that documented the involvement of the government in the Vietnam War, with an unprecedented battle between the press and the government that ensued later. Continue reading “Musical Accompaniment vs. Musical Enhancement”→
This simple picture sums up what this blog is about and the purpose at its core. An old saying recites “a picture is worth a thousand words”. That is what comes to mind seeing such a lovely picture from 2016 (courtesy of Gloria Cheng).
The impact John Williams’ music has on young people is probably one of his most lasting legacies. Seeing the Maestro surrounded by so many young music students (namely, from the music program at the UCLA School of Music) is a view that warms the heart. Continue reading “The significance of a legacy”→
To everyone landing on this blog: Welcome to The Legacy of John Williams.
My name is Maurizio Caschetto, I’m from Milano, Italy and I am a longtime admirer of the music of John Williams. The music of Maestro Williams accompanied my cinematic dreams since childhood, when I was a little kid dreaming about the adventures of Luke Skywalker, Indiana Jones, Superman and little Elliot and his alien friend from outer space. I literally grew up with the music of John Williams accompanying my everyday life until nowadays, where I’m about to reach the so-called middle life point of age 40. Continue reading “1m1: Celebrating a rich musical legacy”→