Reflecting on the differences, the similarities and the conjuctions between the two “score masters” of the modern era of film scoring: John Williams and Jerry Goldsmith.
The Legacy of John Williams is proud to present an essay by distinguished Italian film critic, film music historian and university professor Roberto Pugliese dedicated to the art and the legacy of the legendary composers in conjuction with today’s premiere of Score Masters: Celebrating John Williams and Jerry Goldsmith, an online event co-produced by The Legacy of John Williams, The Goldsmith Odyssey and the Ipswich Film Theatre.
Legendary saxophonist and woodwind specialist talks his career as studio musician in Los Angeles, from his early days as session player to his collaborations with Maestro John Williams, including the stunning alto saxophone solos he performed on the score for Steven Spielberg’s 2002 film Catch Me If You Can
It’s day 2 of the #WilliamsWeek, a celebration of composer John Williams on the occasion of his 88th birthday coming February 8. We continue to cherish the work of the Maestro through inspiring quotes taken from interviews of the past and a piece of music from his extensive body of work for films and the concert hall.
It’s #WilliamsWeek! Like last year, we celebrate the birthday of legendary composer John Williams for the whole week with a quote and a piece of music every day from today until February 8, the day in which the Maestro will turn 88. We want to celebrate him on this special occasion both with his words and his music, something that continues to be a great source inspiration for many musicians, listeners and music lovers all around the world.
Today, the focus is on the unique collaboration with his long-time artistic partner Steven Spielberg.
In 2017, John Williams and Steven Spielberg collaborated on their 28th feature film together, The Post. The film recounts the story of the great cover-up that spanned four U.S. Presidents which pushed the first female newspaper publisher (Kathleen Graham) and the chief editor of the Washington Post (Ben Bradlee) to publish classifed top-secret files (known as the “Pentagon Papers”) that documented the involvement of the government in the Vietnam War, with an unprecedented battle between the press and the government that ensued later.