An exclusive podcast with soundtrack producer Mike Matessino on his restoration work for the Disaster Movie Soundtrack Collection – Music by John Williams, and the remastered expansions of Monsignor and Minority Report
The internationally acclaimed violinist talks with The Legacy of John Williams about her collaboration with the composer and their stunning recording project Across The Stars, featuring all-new arrangements of Williams’ iconic film themes rewritten especially for her.
Music Theorist and Film Musicologist from Tufts University talks about how John Williams’s film scores shaped his interest in music and his path to academia, with a spotlight on his catalogue of the themes and motifs from the Star Wars saga
A chronological overview of the Maestro’s early works for the concert hall in the 1960s and 1970s, including his almost-unknown Symphony No. 1
by Maurizio Caschetto
The term “film composer” might be useful when referring to the work and career of John Williams. But, in his case, it would be also extremely reductive. While it’s true that the Maestro dedicated much of his artistic life to work for the Hollywood film industry, he has always showed a great deal of versatility, typical of musicians who don’t limit themselves just to one single area. Pianist, jazzman, arranger and, in the end, composer of works for films and the concert stage, Williams diversified his artistic output since the early days of his professional career, exploring different sides of his musical personality. Looking at him this way, it can be said without being proven wrong that he perfectly embodies the creative breadth of the 20th century composer and musician.