A Herald for All Musicians

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Photo by Jamie Trueblood /Lucasfilm Ltd.

With The Rise of Skywalker, composer John Williams has completed his own musical cycle, putting the final coda on a rich musical glossary he started to work on 42 years earlier. When the composer wrote and recorded that film score in 1977, he couldn’t imagine how big the impact of his music would have been, and how long it would have resonated with audiences throughout the subsequent decades. As he told recently to film journalist and film music historian Jon Burlingame:

“Forty years ago, if you said to me, ‘Here’s a project, John, and I want you to write 25 hours of music,’ I would have dropped my pencil case and said, ‘It’s impossible. No one can do that,’”

Yet the composer was able to return to that musical world always with the same amount of enthusiasm, creativity, and devotion for all the subsequent scores he penned for the intergalactic space opera initiated by George Lucas, which now covers a time span of almost half of his life.

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Legacy Conversations: Sandy DeCrescent

The legendary Music Contractor talks about her 50+ years career in Hollywood’s film music industry and her long and fruitful collaboration with composer John Williams

Hosted by Maurizio Caschetto

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Sandy DeCrescent

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Across the Stars, Inside the Music: Interview with Anne-Sophie Mutter

The internationally acclaimed violinist talks with The Legacy of John Williams about her collaboration with the composer and their stunning recording project Across The Stars, featuring all-new arrangements of Williams’ iconic film themes rewritten especially for her.

by Maurizio Caschetto

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John Williams and Anne-Sophie Mutter; Photo © Phrashant Gupta, courtesy of Deutsche Grammophon

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Super Orchestra: the LSO and the Music of Superman

A brief history of the special relationship between John Williams and the London Symphony Orchestra, followed by the full list of musicians who performed on the soundtrack of Superman: The Movie

by Maurizio Caschetto

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A rare picture taken during a break of the recording sessions of Superman: The Movie. From left to right: recording engineer Eric Tomlinson, second-unit director André De Toth, executive producer Ilya Salkind, actor Christopher Reeve, composer John Williams and director Richard Donner

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Clarion Call: Interview with Thomas Hooten

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An exclusive interview with Los Angeles Philharmonic Orchestra’s Principal Trumpet, who just released the album Hooten Plays Williams, featuring the music of John Williams conducted by the composer.

Hosted by Maurizio Caschetto

Available on Apple Podcast and Podbean
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A few words with Gil Shaham

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Violinist Gil Shaham is certainly one of the world’s greatest and most talented classical performers. Born in Urbana, Illinois (USA) from Israeli parents, he was raised in Jerusalem when the family went back to Israel. He started studying violin at the Rubin Academy of Music in Jerusalem and debuted at the age of 10 as a true enfant prodige. He then returned to the United States to continue his studies, up to the point when he received scholarship from the Juilliard School of Music in New York City. His career really started to sizzle in 1989, at the age of 18, when he was called in at the last minute to substitute an ailing Itzhak Perlman for a concert with the London Symphony Orchestra conducted by Michael Tilson Thomas, performing violin concertos by Max Bruch and Jean Sibelius. From that point on, Gil’s career launched into the classical music stardom and he became a major live performer and recording artist for the violin repertoire. He received many accolades and awards for his achievements, including a Grammy Award in 1999 and the coveted Avery Fisher Prize in 2008. He was also named “Instrumentalist of the Year” in 2012 by the magazine Musical America.

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