Reflecting on the differences, the similarities and the conjuctions between the two “score masters” of the modern era of film scoring: John Williams and Jerry Goldsmith.
The Legacy of John Williams is proud to present an essay by distinguished Italian film critic, film music historian and university professor Roberto Pugliese dedicated to the art and the legacy of the legendary composers in conjuction with today’s premiere of Score Masters: Celebrating John Williams and Jerry Goldsmith, an online event co-produced by The Legacy of John Williams, The Goldsmith Odyssey and the Ipswich Film Theatre.
Legendary flutist talks his distinguished career as studio musician in Hollywood, from his early days performing under Alfred Newman at 20th Century Fox to his many collaborations with John Williams as principal flute, including his solos in such scores as Jaws, E.T. The Extra-Terrestrial and The Witches of Eastwick, as well as the premiere of the Flute Concerto
Legendary saxophonist and woodwind specialist talks his career as studio musician in Los Angeles, from his early days as session player to his collaborations with Maestro John Williams, including the stunning alto saxophone solos he performed on the score for Steven Spielberg’s 2002 film Catch Me If You Can
French Horn player extraordinaire talks his life and career as studio musician in Hollywood and his many collaborations with John Williams, including his work as Principal Horn on The Post and the recent Star Wars sequels The Last Jedi and The Rise of Skywalker, sharing his views on the Maestro’s music
Legendary trumpeteer talks his illustrious career as former Associate Principal Trumpet of the Boston Symphony Orchestra / Principal Trumpet of the Boston Pops and his subsequent life as studio musician in Los Angeles, including his many collaborations with John Williams as soloist on such scores as Born On The Fourth of July, JFK, Nixon and Saving Private Ryan
Legendary tuba player talks his 40+ years career as studio musician in Los Angeles and his collaborations with John Williams, including the “Voice of the Mothership” solo in Close Encounters of the Third Kind and his work on Home Alone, Hook and Jurassic Park