Acclaimed contemporary classical composer talks his career and his cinematic music for the concert hall, including the Pulitzer Prize-winning opera Silent Night, his approach to composition and how much John Williams’ music touched him since childhood and inspired him to become a composer
The Legacy of John Williams editor Maurizio Caschetto and contributor Gianmaria Caschetto talk with UnderScore podcast hosts Will & Marty Brueggemann about growing up as brothers listening to the music of John Williams
Legendary harpist talks her distinguished career as former Principal Harp for the Boston Symphony Orchestra and the Boston Pops, including the many collaborations with John Williams and the premiere of the Harp Concerto On Willows and Birches, composed for her by the Maestro in 2009
Reflecting on the differences, the similarities and the conjuctions between the two “score masters” of the modern era of film scoring: John Williams and Jerry Goldsmith.
The Legacy of John Williams is proud to present an essay by distinguished Italian film critic, film music historian and university professor Roberto Pugliese dedicated to the art and the legacy of the legendary composers in conjuction with today’s premiere of Score Masters: Celebrating John Williams and Jerry Goldsmith, an online event co-produced by The Legacy of John Williams, The Goldsmith Odyssey and the Ipswich Film Theatre.
Legendary flutist talks his distinguished career as studio musician in Hollywood, from his early days performing under Alfred Newman at 20th Century Fox to his many collaborations with John Williams as principal flute, including his solos in such scores as Jaws, E.T. The Extra-Terrestrial and The Witches of Eastwick, as well as the premiere of the Flute Concerto
Legendary saxophonist and woodwind specialist talks his career as studio musician in Los Angeles, from his early days as session player to his collaborations with Maestro John Williams, including the stunning alto saxophone solos he performed on the score for Steven Spielberg’s 2002 film Catch Me If You Can
French Horn player extraordinaire talks his life and career as studio musician in Hollywood and his many collaborations with John Williams, including his work as Principal Horn on The Post and the recent Star Wars sequels The Last Jedi and The Rise of Skywalker, sharing his views on the Maestro’s music